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ROSE ONE – Prints

Original prints in a pair

PAUSECurrently suspending this sale. When and whether it will resume has not yet been determined.
Print Color
Please select a print from four colors.
4種類の色からプリントをお選びください。
ROSE ONE - Color - Natural
ROSE ONE - Color - Natural
ROSE ONE - Color - Natural - WIR
ROSE ONE - Color - Natural - WIR
ROSE ONE - Color - BLACK
ROSE ONE - Color - BLACK
ROSE ONE - Color - BLACK - WIR
ROSE ONE - Color - BLACK - WIR
Finishing Options - Prints
Please select whether you need the sheet only or framed, etc.
シートのみか、額装などのいずれかをお選びください。
FOP - Sheet, A3+
FOP - Sheet, A3+
FOP - Standart Framing x2 - Wood, +Mat, A3+
FOP - Standart Framing x2 - Wood, +Mat, A3+
Frame Color
Please select the frame color. If not selected, the artist will choose one.
額縁の色を選択してください。未選択の場合はアーティストが選びます。
Waitlist for this item We will inform you when the product arrives in stock. Please leave your valid email address below.
Add to wishlist Adding to wishlist Added to wishlist
SKURO-P-T1 Category

ROSE ONE

This is a computer generated print work of a rose. There are a total of four different colors in a set of two pieces.

They consist of a main work cut out in a square shape and a sub work printed on the entire surface.
The two pieces can be hung on the wall side by side, or placed roughly on a desk as shown in the sample image.

This sample image is the work in the following conditions.

  • ROSE ONE – Natural
  • Finishing Options is Standard Framing
  • Frame color is Natural

Only one square print is framed with a mat to balance the presence of the two prints.

In addition, an acrylic board frame that blocks 97% of UV rays is used to protect against color fading from daily use.

The frame color can be selected to match your room and taste.

Four Colors

Natural

A side
B side

Natural – WIR

A side
B side

BLACK

A side
B side

BLACK – WIR

A side
B side

Best Matiere

After comparing various materials to create the best texture for the work, He printed on semi-glossy paper with fine irregularities.
You can enjoy the sense of materiality enhanced by its compatibility with the picture, as well as the unique elegance coloring achieved by moderately suppressing the gloss that would be vulgar on full-gloss paper.

*In the image, A frame is set up on a small easel. The easel is not included.

*The colors in the images on this page are different from the real ones due to compression. (The colors in the image are a bit garish.
*The resolution of the images has been reduced to prevent theft.


Buy artworks directly from the artist

In this shop, the artist sells his artworks directly. Do you know the advantages of direct sales?

1. you can encounter works that give you a better sense of the artist’s originality and individuality.

Direct sales allow an artist to offer their new and experimental works most freely and quickly.
When intermediaries such as sales agents or sales opportunities such as exhibitions are used, an artist is required to provide works that have a high chance of selling. This is because the costs of intermediaries and exhibitions are high, and more profit is required. However, a “work that has a high chance of selling” means a work that is suitable for the general taste (when the buyer is unspecified), not a work that is new or superior in its expression.
Direct sales, in which works can be freely offered even before many people have found value in them, are an opportunity for the enjoyment of encountering works and the purity of expectations for the future.
This is my theory based on personal experience, which is not often pointed out, but I think it is the most important advantage of direct sales.

2. The works can be purchased at an affordable price.

By not going through a sales agent, there is no intermediary margin, and the works can be offered at the most affordable price.

3. You can directly support the artist’s activities.

Purchasing artwork is the most important support an artist can receive in their creative process. This is because, compared to other forms of support such as grants, it contributes directly and sustainably to the continuation and development of the creative process, as it allows the artist to integrate the practical cycle from production to release of the work into their life, and the funds obtained are free.

In the case of direct sales, in particular, the artist who has limited funds and time to spare can benefit greatly from the low transaction fees and quick payment. This allows the artist to explore new forms of expression in a quicker cycle.

If you have any concerns or suggestions regarding your purchase

You can find the ” Shopping Guide – Products, Payment, and Shipping ” on this page.
You can also feel free to contact us through any of the following channels.

TypeOriginal Print
Limited EditionOpen
Original Created2019
Techniques, MaterialsInkjet, Pigment ink on semi-gloss paper for archiving
Size32.9W x 48.3H x Z (cm)
AuthenticityArtist’s Signature & Certificate
ConditionNew
Weight 4 kg

Quality

All prints are original printing works that are created and quality-checked directly by the artist.
The high-definition visual expression created for printing is combined with paper and film selected to produce the optimum texture for each work, results in works with a material feel like thin sculpture that ensures a sense of ownership.

◎Materials of the highest quality
The works are printed on the highest quality papers and films and with archival inks to ensure long-lasting color retention.
(Approximately 200 years of darkroom preservation and 60 years of light and gas resistance have been calculated using the JEITA CP-3901 test method for predicting life expectancy.

◎Certificate of Authenticity
All prints are signed by the artist and accompanied by a certificate of authenticity of the work.

Finishing Options

We offer a variety of options to suit your needs, including long-term storage of the work, framed and ready to hang upon arrival, or sheet only to reduce shipping costs or to frame the work according to your personal preferences.

♦ Archival Box

This option is for collectors who want to preserve an artwork for a long time in a stable manner. We also recommend this option if you choose to frame your print yourself.
The print is housed in an acid-free and lignin-free archival box. (The box has passed The Photographic Activity Test (PAT), an archival standard ISO Standard 18916.)

If you plan to collect many works in a series, this option is recommended as it takes up less space and is easier to store.

  • The print is supplied as an uncut sheet with margins, in case it is later framed.
  • Box colors and types may vary from lot to lot.

♦ Standard Framing

This is a common framing method where the print is placed in a wooden or aluminum drawing frame. This option allows you to display your work immediately after it is received.
Acrylic boards, which block 97% of UV rays, one of the main causes of fading, are used, and prints larger than A3 size are backed and framed to enhance flatness.

If a choice of frame color, size or shape is not available on the product page, the artist will select the appropriate one for each work.
Whether matted or directly framed is the artist’s choice for each piece.

  • Hooks for hanging on the wall will not be enclosed.
  • Mats specifically designed for long-term preservation will be used for prints priced over 1000USD per print. For prints priced below that, general quality mats of no practical problem will be used.
  • Prints are pre-backed and the sheet and back sheet are not separable.
  • Frames purchased from general framing stores will be used. Although we have not heard of any problems with normal use, please understand that this option is not for long-term storage of the artwork, as the effects on long-term preservation of the artwork are unknown, such as gases generated from the various materials that make up the frame.

♦ Sheet

This option is for sending prints only in simple packaging. Please use this option if you choose your own framer and preservation tools.
The price of this option is the reference price for the work alone.

*Note: This option is sent in a tube box with the *sheet rolled up* to lower shipping costs. The sheet will be rolled and must be framed for display.

  • This option is available by letter post within Japan. (the cheapest shipping method)
  • The print is supplied as an uncut sheet with margins, in case it is later framed.

*The following options are currently unavailable. (It was hard for me so I decided to stop for the time being.)

♦ Frame – Aluminum Mounting

A finishing method for bonding aluminum-composite-plate to the back side of the print.
Because the printed surface becomes exposed, this option is suitable for exhibiting while feeling the texture of the print as it is.
(This option is a printed surface is exposed, so if you continue to display as it is, discoloring will proceed fast. If you like the print, we strongly recommend to put it in a box-frame or to save it in a dark place, within a few years. The details here

  • Around 2 or 3 weeks will be added to a delivery date.

♦ Frame – Acrylic Mounting

Around 2 weeks will be added to the delivery days.A finishing method for bonding an acrylic-plate to the surface of the print.
The impressions of clarity and depth increase, and they contribute to the feeling of luxury as an object.
In addition, because the printed surface is protected, it is resistant to deterioration and the handling is easy.

  • Around 2 or 3 weeks will be added to a delivery date.

♦ Frame – Float Mounting

A framing combined the aluminum mounting and the standard frame without mat. The print is mounted on an aluminum composite plate, then it is set in a standard frame. This option can protect the surface of the print with an acrylic board on the frame.
The artist chooses the frame color and size depending on the work.

  • Around 2 or 3 weeks will be added to a delivery date.

Biography

Goh Uozumi is an artist working in the field of Art & Technology.
His works have focused on the ‘trends of automation in civilization,’ in which humans use technology to mechanize intelligence, contracts, labor, creation, trust, and life.

He studied Media Art under Professor Seiko Mikami and works with algorithm-based methodologies that are capable of incorporating non-human intelligence/existence.

He has exhibited at the Museum of Contemporary Art Tokyo (2020), Asia Culture Center (2019), Hong Kong Arts Centre (2018), NTT InterCommunication Center (2016), ZINC+SecondNature (2015), Yamaguchi Center for Arts and Media (2012), and Japan Media Arts Festival (2010), among others.


He held a solo show of immersive audiovisual installation, Mk. God , in 2023 as the grand prize winner of the first Mynavi Award.

In 2020, he exhibited a large-scale work consisting of composite pieces, New Economic War at the Museum of Contemporary Art Tokyo. It focuses on the fact that humans are now able to operate massless things as *new resources*, including consciousness, thought, relationships with others, behavioral characteristics, social institutions, and all kinds of data. 

Since 2015, he has released three works reflecting on the world transformation through algorithms, taking advantage of the emergence of cryptocurrency, a technology that has successfully mechanized *trust,* once the exclusive property of nature, like love, etc., that is, making ‘God’ socially unnecessary in ‘In God We Trust.’

空の国家 -State of Empty that artificial intelligence creates a (nation) state for itself, and New Order/Siren Call?  that visualizes cryptocurrency and distributed ledger as an origin of new social order were created as commissioned works by NTT InterCommunicationCenter[ICC] in 2016.
And the origin of the both works, Trustless Trust/Mk.God that evokes memories of future artificial systems won the grand prize of Digital Choc Award 2015 by Institut Francais Tokyo, Zinc, and SecondNature.

In his early career, he belonged to Waseda University’s Lab for Molecular Cell Network as a visiting researcher of Bio Art in 2014.
In 2012, OBSERVER N that extends theory-of-life reality by decentralized autonomous network system, was commissioned by The Yamaguchi Center for Arts and Media[YCAM] , and his first major work, F – void sample that goes across the void and perception, won the encouragement prize of the 2009 Japan Media Art Festival.

Posts

News feed
List of Goh's activities and events. Work updates, exhibition information, etc.
Continue reading
New Work at MOT
My new work, New Economic War, is being shown in ‘MOT Annual 2020, Invisible Powers’ at the Museum of Contemporary Art Tokyo. 新作「New Economic War」を,東京都現代美術館の展覧会「MOTアニュアル2020:透明な力たち」で展示しています. 2021年2月14日まで MOT Annual is a…
Continue reading

References

Books

Exhibition Catalogue, MOT ANNUAL 2020 - 透明な力たち INVISIBLE POWERS

MOT Annual is a group exhibition featuring young Japanese artists that invites inquiry and discussion by focusing on a particular aspect of contemporary art. The 16th MOT Annual will look at the workings of invisible powers in nature and society that affect people and things, through four artists and an artist duo who attempt to reconstruct the mechanisms behind such powers.

Books

Bijutsu Techo, Dec 2018 - Feature: Art Meets Blockchain

My interview and essay about rewriting the public protocols in our society with the distributed ledger. I showed what the original evolvability of this field is and a critique for this trend.

  1. ‘Interview – Goh Uozumi x Minoru Hatanaka’,
  2. ‘For The Coming World – the cultural foundation in the distributed ledger era’ by Goh Uozumi
    1. Next generation protocol – Whole Museums
    2. Deception by “Art and Blockchain”
      • Hypes that should have ended, Regress that fakes as progress
      • Permeability of protocol, and Depredation of the public
    3. The new public
      • What is new subject
      • Public in cultural goods
    4. Where are we going

Books

Gendai-Shiso, Jan 2017 – Feature: Philosophy of Bitcoin and Blockchain

An essay about *Trustlss Trust* and my recent art activities.With ‘what the trustless’ is at its core, I summarized the history of Bitcoin and the ideological background in cryptocurrency such as cypher punk, and the results in my art based on them. It’s the essence and fundamentals about why art should work on this movement.

  • ‘An attempt at interpretation of Trustless Trust’ by Goh Uozumi
    • TRUSTLESS – the principle and history
      • What is Bitcoin
      • Cypher culture and Money
      • Domain of Trust
      • Humans and trust, and toward reconsideration of subject 
    • New Order
正誤:p127, 10行目
正:ビットコインは,その信頼すべき第三者なしに成り立つ貨幣を目指してつくられたものであり、
誤:ビットコインは,その第三者への信頼すべき第三者
-

Others

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Items

We start making after your payment is confirmed. The approximate time until shipping is listed as *Lead time* (means production lead time).

If a suspended product has a Waitlist form on its page, you can register your e-mail address in the form and we will e-mail you when the product is available again.

Pause
The product is currently suspended. Sales may be resumed or may be terminated without being suspended.
The timing of resumption or termination of sales has not yet been determined. Please understand that we will not be able to respond to your inquiries.

Ask
This is an expensive product that cannot be sold by disclosing the price to an unspecified number of people. Please contact us individually.

Colors may appear slightly different depending on your monitor.
In addition, low-resolution images or watermarked images may be used to prevent plagiarism.

Please understand that due to technical or practical reasons, we cannot accept returns for reasons such as differences in color or the impression of the work from the image. Please see our Shipping and Return Policy page for more information.

In accordance with our Terms and Conditions,

  • All copyrights of the works are owned by our artists. – 4. Intellectual property
  • You are prohibited from sharing, selling, or publishing the results of any data analysis (including machine learning, 3D scanning and more), that can reproduce, restore, or create similar representations of the works.7.1 Responsible use

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  1. Appley Pay, Google Pay allows you to make a quick purchase without entering your address or other information on our payment page.
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The receipt is an email sent when your order is shipped. The description is*Artworks*.

This shop is a tax-exempt business for consumers and do not issue *Qualified Receipts (Japan’s new invoice system)*.

Shipping, Delivery

◎ Shipping charges are based on the product and the shipping address.
The shop system will calculate and display the shipping charges when you enter your shipping address on the checkout page.

For shipments outside of Japan, additional costs such as customs duties may be required in addition to the shipping charges paid to us. Please bear those costs yourself.

*Although this is not a common occurrence, if you place a large order and the shipping cost exceeds the range of our system’s estimated shipping cost, the shipping cost will be lower than the actual required amount. In such cases, we may contact you individually after your purchase and ask you to pay for the missing shipping costs.

We deliver and ship our products from Japan by the following services.

Delivery within Japan – Mainly by Yamato Transport. / Some small items can also be delivered by Japan Post’s Letter post.
We deliver to all areas in Japan. However, we may switch to another carrier’s service if the value of one package exceeds 300,000 yen, in which case, additional measures may be required on an individual basis, such as delivery to remote islands or excess shipping charges.

Shipping outside Japan – We use EMS. / Some small items can also be delivered by Japan Post’s Small Packets.
EMS is available to many areas. However, we cannot deliver to some areas such as conflict areas and isolated islands. Before purchasing, please check the website EMS Countries and Areas – Japan Post for available delivery areas.

◎If the delivery address is within Japan, you can use Yamato Transport’s anonymous delivery service, which allows you to receive your package without revealing your address.

How to use this service

  1. Check the *Anonymous Delivery* box in the checkout page, and make a purchase without letting us know your address.
  2. We will send you an email with a *Delivery Address Request to Yamato Transport* before we deliver your package.
  3. Open the link in that e-mail and provide Yamato Transport with your address and other information to complete the *Package Acceptance Request Procedure*.
  4. We will send your package *after we confirm the procedure*.

*For details on the procedure for entering your shipping address at Yamato Transport, please refer to this page. (using LINE in the page, but we will notify you by e-mail.)

Smaller items, such as sheets only in finishing options, can be sent inexpensively by letter post by Japan Post. This service is available if it is selectable as a shipping method on the checkout page.

However, there is no delivery compensation or tracking, and anonymous delivery is not available.
Please also note that there are challenges in exchange for the low shipping cost, such as the fact that for prints larger than A3, the sheet is rolled up and sent in a tube.

In-stock items will be shipped within a few business days after your order is received.
Made-to-order and Pre-order items are produced from the time payment is received. The time from production to shipping is listed on the product page for each piece as a basic lead time.

The lead time is a rough estimate. The final delivery time will vary depending on the finishing option and the region of destination.

Depending on the type of finishing option, 1 to 3 weeks may be added to the basic lead time.
In our experience, many orders, including those with finishing, are delivered within 1-4 weeks. However, more time may be required if there are many orders, if the delivery is stopped due to a disaster or customs, or if the shipping destination is far from Japan.

*Since the artist personally handles production and shipping, it is difficult for us to give you an exact estimate of the delivery time or to meet your request for a specific date and time. Please do not purchase if you are in a hurry. We appreciate your understanding.

Delivery within Japan – Please use the Kuroneko Members service to coordinate your delivery.

  1. If you register with Yamato Transport’s Kuroneko Members, you can adjust the date, time, and location of your package pickup from the app or web page.
    We are unable to accept the delivery date and time specifications at the time of purchase, so please use Yamato Transport’s service.
  2. In the case of letter post, it is not possible to specify the delivery date or track the package.

Shipping outside Japan – EMS cannot accept date and time specifications. Please use the tracking number we provide when we ship your package to adjust the date and time on the side of the postal service in your area. You are also responsible for checking the delivery status with the local shipping company and customs.

As our main products are made-to-order, we generally do not accept returns, exchanges, or cancellations for any reason other than the customer’s own.
Please see our Shipping and Returns Policy page for more information.

Shipping & Returns Policy

Cancellation

We do not accept cancellations for your convenience after your order has been accepted. If you have any questions, please be sure to check with us prior to purchase.
Digital data items cannot be cancelled, refunded, returned, or exchanged for any reason except for defects for which we are responsible.

Shipping, Delivery

Customers are responsible for customs fee and duty on orders from outside Japan.

We are not responsible for any problems with products in transit. We do not provide refunds for damaged, stolen, lost, undelivered, or undeliverable packages.

If a package is lost or damaged in transit, please contact the carrier first, then us.
We inspect all items and record photos of the condition of the package prior to shipping, and we will make every effort to recover your losses through our shipping insurance.

  • If your package is damaged, please notify the carrier as soon as possible. Please check with your local carrier for the deadline if you are outside of Japan, or within 14 days of receiving your package if you are within Japan.
  • Please report the problem to the carrier with the items unused and with the outer packaging still intact. If the items are used or the outer packaging is destroyed, the transportation insurance will be voided.
  • If you move the package from the delivery address to another address after receiving it, the transportation insurance will expire. In addition, if the package is dropped off at the carrier’s office, the transportation insurance will be forfeited if you take the package home without declaring the damage when you receive it.
  • We do not provide loaner replacement items during the exchange period of the items.
  • For cryptocurrency payments, the item price will be declared at the rate of JPY (in Japan) or USD (outside Japan) at the time of purchase.

Returns & Exchanges

Returns and exchanges will only be made in the case of defects for which we are responsible, such as defective products, or upon mutual agreement between us and the customer.
As a rule, we do not accept returns or exchanges for the customer’s convenience because our main products are made-to-order.

Technical problems that are inevitable for a web store, such as a difference in color or impression between the product image and the actual product, or general problems that are inevitable due to the production or transportation of the product, such as small scratches during the production process or damage to the outer box that is not the product itself, do not constitute defects for which we are responsible, and we will not be held liable for such defects for any reason. We do not accept returns or exchanges due to such defects.

In the case of a defect for which we are responsible, we will accept the return of the product and a full refund including shipping charges, or an exchange of the product. In this case, please contact us within 14 days of receiving the product.
If you contact us after 15 days, or if you return the product without notifying us, we will not be able to return or exchange it.

Shipping charges for returns due to reasons other than defects for which we are responsible are the responsibility of the customer.

If the item for which you are requesting a refund is a rare item with a limited number of pieces, the item must be returned in principle because we must destroy said item responsibly to ensure that there are no duplicates with the same edition number.